Transcripts:1.09

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Panel 1: The lecturer from last page, face and shoulders.

Lecturer: Last year, we focused on personal autocaster applications and utilizations, as well as their functionality and limits.

Panel 2: Naomi Atarah, face to elbow, leaning towards Lisa, face and shoulders.

Naomi, whispering:

Did I miss much?

Lisa, whispering:

You missed a year, what do you think?

Naomi, whispering:

No?

Lisa, whispering:

On the bright side, maybe you wouldn't have learned anything even if you had been here...

Panel 3: The lecturer, face to mid biceps.

Lecturer:

This semester, we will be focusing on industrial applications for autocasters.

Panel 4: The lecturer from behind, in front of a wall covered with glyphs, presumably in a language the students can read. It's not clear if these are projected via magic or technology or written with an easily erasable medium such as chalk (that said, they're in black with white outlines on a grey background, so my guess will be they're projected magically using an autocaster that just isn't as showy as the ones we've seen - not that the lecturer couldn't have magicked them herself, but she is teaching a class on autocasters...)

Lecturer, from Panel 3:

Since I find that not all people have grasped the depth of the industrial implications...

... we will start big - this first week, we will cover the Shinoji Project.

Panel 5: The lecturer, facing the class. It's a bit less of a distance shot, but she's still small enough to be relatively feature-free. Her tie shows up, but not her eyes.

Lecturer:

While the goal was certainly ambitious, that of magic energy, more central to the project...

... was the need of an artificial Eidos key.

Panel 6: Mium Efiate, face and shoulders. He looks possibly slightly troubled or slightly sad.

Caption:

Elsewhere at Levenworth